Panat in postcardThe Ranums'

Panat Times

Volume 1, redone Dec. 2014

Contents

Volume 1

Panat

Orest's Pages

Patricia's Musings

Marc-Antoine

Charpentier

Musical Rhetoric

Transcribed Sources


 

"French" cahiers for 1678

Choose another year from the "French" cahiers

Go to the "Roman" cahiers

There is not a great deal to say about relationships between the Guise activities for this year and the works in cahiers 20 and 21. It is, of course, clear that Mme de Guise was being very supportive of her cousin Louis XIV's military efforts. We also see that she and Mlle de Guise were doing a lot of entertaining (chiefly for Mme de Toscane), but these activities do not show up in Charpentier's notebooks. (If he wrote for these events, he clearly copied the pieces into one of the booklets mentioned in the Mémoire of  1727, since lost.) Nor can we link any of the preludes in the Roman notebooks (1677-1670) to the different sacres or installations of abbesses which Their Highnesses attended in 1678. In sum, it does not seem that Charpentier composed all that much for his protrectresses in 1678, and I can't begin to say why ! (Note also that, M. Du Bois having regained his health and being once again in charge of the ensemble, the "hc" disappears from the notebooks.

Cahier 20

H 240 O sacrum pour trois religieuses  (June 9?)
H 168 Psalmus in tempore belli pro rege (ps. 5)  (Spring), for a large ensemble
Sunday matins. "Son prélude est au cahyer XXIII," which suggests a reuse in 1679.
H 60 Hymne pour toutes les festes de la Vierge: Ave maris stella
vespers, vespers of the Virgin.

Cahier 21

H 14 Prose du Saint Sacrement: Lauda Sion salvatorem  (June 9)
Corpus Christi
H 241 Elevatio: Venite fideles  (June 9?)
H 169 In convertendo Dominus (ps. 125), for a large ensemble
Tuesday vespers, little office of the Virgin, Wednesdays in Lent, feasts of the apostles